The Journal

Isabel, before she was Candle Face, stands alone in a shadowy black-and-white portrait with her head lowered in quiet sadness.

Returning to Isabel: The Forgotten Daughter of La Llorona

This entry returns to Isabel: The Forgotten Daughter of La Llorona after months focused on Lady Bird Lake and the wider investigation. Isabel is a...

Arthur Mills
White feather quill resting in a glass inkwell atop a stack of aged, worn parchment pages against a dramatic black background.

Isabel: The Candle Face Book That Could Save or Doom Us

This entry marks the day I finished piecing together Isabel from Mr. Smoe's scraps: eleven books, each eight pages long, with eight notes per page...

Arthur Mills
Torn piece of aged parchment bearing the name “ISABEL” in bold black letters, set against a dark, textured brown background.

The Infinite Manuscript: Mr. Smoe's Shifting Story of Isabel

This entry describes the discovery of scraps hidden among Mr. Smoe's papers, each marked with a code that revealed an endless, shifting manuscript. The notes...

Arthur Mills
Torn piece of aged parchment bearing the name “ISABEL” in bold black letters, set against a dark, textured brown background.

Candle Face's True Identity: La Llorona's Forgotten Daughter

This entry marks a turning point in the investigation. After more than a year of hearing from the Lost Souls, their voices have gone silent,...

Arthur Mills
Portrait of young Isabel from Candle Face Chronicles, smiling girl with long dark hair and a patterned Aztec dress.

Candle Face, Mr. Smoe, and the Children of Isabel

This entry explores new evidence tying Candle Face to Isabel, possibly the forgotten daughter of La Llorona. After Mr. Smoe's death, I found connections suggesting...

Arthur Mills
Three worn storage boxes sit on a wooden floor in a dark room; the center box is open and glowing brightly from within.

Candle Face's Twisted Game: The Box Marked "ISABEL"

This entry recounts my visit to Mr. Smoe's house after his death, where his brother asked me to look through the boxes he left behind....

Arthur Mills